
In separate statements during the last few days both the Obama and McCain camps have called the July 21st cover of
The New Yorker "tasteless and offensive" for depicting a Muslim President Obama giving a "terrorist fist jab" to his afro-sporting, gun-toting wife in the Oval Office while burning a flag in a fireplace decorated with a picture of Osama bin Laden. Whether or not the picture was good satire is up for debate; however, it must be clear to nearly everyone that the cartoon was most definitely satire. Which begs the question - if
The New Yorker is guilty of tasteless and offensive cover art, what about
Spy,
Radar and
The New Republic? Why no outrage over these covers?
5 comments:
Huh -- how bout that -- I rather like the Spy cover!
That just goes to show what a sick so-and-so you really are. ;-)
Well, duh. ;)
I like it for the implied consent, though -- I think that's just a (probably unintentionally) hilarious addition to that particular discussion.
However, maybe you can help me with this: why are Michelle's legs crossed on the New Yorker cover? What statement is that meant to make? I can think of a couple of possibilities, but none of them seem particularly more or less reasonable than the others.
It seems to me to be a way of making her seem less like a Muslimentalist and more like a little girl - her body posture softening the effect of the overall outfit.
Actually, I am more inclined to read that pose in the opposite way -- I see the legs-crossed stance as a more militant gesture.
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